Welcome back to your weekly installment of “you are uncultured swine and I’m trying to put you some freakin’ knowledge for once even though I’m sure my efforts are wasted” Sunday. I’m your host, the woefully under-qualified Sobek, and I like pretending I know stuff about music. Today we continue our exploration of the Classical era, and the forms that composers used in creating symphonies. So far we’ve looked at Theme and Variations Form and Minuet and Trio form. Today we look at Rondo.
That being said, we’ll start with probably the most famous Rondo of the classical era, Mozart’s “All Turca”:
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